A Feminist’s Thoughts on 'American Psycho,' by Ava Materni
We’re the freest, the funnest, the flexible-est. We’re co-equals as writers, best pals as revisers.
We take creative liberties to a whole new level, too: no page count, no uniform voice, no first
right answers.
The rest is fair game.
Fast news isn’t our thing. We like to muse over music, probe pop culture, write what we think is right.
Artist bios, film critiques, series reviews—we have it all.
'Avatar: The Last Airbender' Movie Announcement Brings Hope and Fear, by Heather Rolfert
‘Glass Onion’ Isn’t Just Another ‘Knives Out’ (And That's a Good Thing), by Ethan K. Poole
‘Criminal Minds’: A High-Stakes Reboot, by Rachel Foley
Revisiting one of my favorites this fall: 'Gilmore Girls', by Allison Krivda
How ‘House of the Dragon’ Revived a Dead Franchise, by Ethan K. Poole
City of Wicked Demons: The Transformation of Female Main Characters, by Heather Rolfert
Part 2: ‘We Are All Fruit:’ Queer Friendship in ‘A League of Their Own’ Reboot, by Eleanor Prytherch
What ‘DAHMER’ Did Well, by Rachel Foley
The True Horror is Thought: A Dissection of New Age Horror, by Nya Hodge
‘We Are All Fruit:’ Queer Friendship in the ‘A League of Their Own’ Reboot, by Eleanor Prytherch
Infinity Train: A Cult Classic No One Can Stream, by Ethan K. Poole
And They Were Co-captains: Gay Pirates and Queer Fandoms, by Eleanor Prytherch
What You Didn’t Like About The Batman, By Rachel Foley
Texas Chainsaw Massacre: Let Leatherface Die, by Bryce Forren
And Just Like That... Sex & the City Redeems Itself, by Cecelia Johanni
I Really Hated Justice League: Last Ride, by Josie Cicogna
The Price of Gucci, by Grace Zurawski
Why You Like “You,” by E.A. Laslo
The Loveliest Lies of All: Over the Garden Wall, by Ethan K. Poole